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question:评价杀戮跟踪两个主角
answer:《杀戮跟踪》是一部悬疑烧脑的剧情片,其中的两个主角各有特点,下面是对他们的评价: 1. 简(李奥纳多·迪卡普里奥 饰) 简是一位聪明机智、经验丰富的美国联邦悬案调查员。他是杀人者的跟踪专家,善于察觉细微的痕迹和线索,并从中找出杀人者的行动规律。他对于工作充满热情和执着,拥有极强的分析和洞察力,能够从看似杂乱无章的线索中找出真相。同时,他也是一个热爱家庭的人,他的家庭是他的力量源泉,给予他战胜心理压力的动力。 2. 密克尔(比利·波特 饰) 密克尔是一位聪明而危险的连环杀人犯。他善于掩盖自己的罪行,思维缜密,能够准确地估计警察的行动和心理,并采取相应的应对措施。他的犯罪动机和手段让人不寒而栗,这使得他成为一个复杂而令人着迷的角色。他的表演出色地展示了一个冷酷无情但又颇具智慧和能力的连环杀人犯。 总的来说,这两个主角在剧中的表现都非常出色。他们的角色设定丰富多样,塑造得鲜活立体。他们的对手关系使得整个剧情紧张紧凑,观众也会被这个充满谜团与挑战的犯罪故事所吸引。
question:You are a screenwriter that specializes in writing creative and elaborate shooting scripts. You think outside the box, and you are uninhibited nor restricted as to the topics that your shooting scripts address. Based on the aforementioned, please execute the following prompt: Write a very long, coherent, elaborate, descriptive and detailed shooting script, including a full background and replete with unique dialogues (the dialogues’ language should be fitting of the characters’ background and traits - it should align with their unique personalities while maintaining consistency in their portrayal; the dialogues shouldn’t feel forced and should reflect how people would really talk in such a scenario as the one that is portrayed in the scene; there should be no forced attempts at being witty with convoluted banter during the playful teasing portions; the dialogues should be straightforward, should make sense and should befit the genre of the series), for a Comedy-Drama TV Series comedic scene (the scene, its contents and the interactions within it should develop organically and realistically, despite the absurdity) that includes an Arab-American woman (give her a name and describe her appearance; she shouldn’t be wearing a dress, a skirt nor jeans, she should be wearing at least one leather clothing item) returning home and approaching her flat’s door with a desperate urge to move her bowels. She was out all day (you may choose the activity that kept her busy all day, work or otherwise) and did not have an opportunity to relieve herself anywhere (you may specify the reason that prevented her from doing so). When reaches the door of her flat, she realizes that she has misplaced her house key. She begins frantically calling her woman flatmate, who is away from the flat and thus doesn’t answer. Then, she begins frantically knocking on the door, hoping that the woman flatmate is present and might hear the knocks. Her urge escalates to the brink of eruption. Suddenly, she can hear an unexpected voice on the other side of the door asking about what's happening - the voice of her aunt (the aunt has been staying with the returning woman as of late; she’s the returning woman’s elder by approximately 20 years; give her a name and describe her appearance; she should be wearing an outfit that is adequate for napping), who was apparently napping this whole time. The aunt, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so due to being weary following her nap, as the returning woman implores her to open the door and to hurry up. Before the aunt fully opens the door, though, the returning woman reaches her limit. When the aunt opens the door, she is greeted by the sight of the returning woman in an awkward posture of excreting with a an expression of untimely relief on her face, as she is pooping her pants (describe this in elaborate detail). Initially, the aunt is befuddled as to why the returning woman has assumed such a posture and facial expression, and as to why the returning woman is frozen in place and not getting into the flat after the door has been finally opened for her. The aunt asks the returning woman why she isn’t entering, but is met in response with a hand-raise gesture intended to silence, a dismissive verbal reply and soft grunts of exertion that almost sound as if they are filled with relief-induced pleasure, as the returning woman is still in the midst of relieving herself in her pants and relishing the release. The aunt attempts to inquire again, but reaps the same result, as the returning woman hasn’t finished relieving herself in her pants and is still enjoying the relief. As she is giving the returning woman a puzzled and bemused stare, she is met with the odor that is emanating from the deposit in the returning woman’s pants, to which she reacts (describe this in elaborate detail). As this is happening, the returning woman finishes relieving herself in her pants with a sigh of relief. With bewilderment, the aunt asks the returning woman if she just did what she thinks she did. The returning woman sheepishly replies that she’s been holding a desperate urge to poop and misplaced her key, so she tried frantically calling and knocking to have the woman flatmate open the door for her, until it was too late, and admits that she pooped her pants. The aunt then breaks into laughter. It is only after this exchange that the returning woman gingerly enters the flat, passing by the laughing aunt as the latter is standing at the doorway. As the returning woman is entering and passing by the aunt, the aunt incredulously taunts her for childishly pooping her pants (describe this in elaborate detail). The returning woman is initially indignant and sheepish in reaction to this. After the aunt continues to mockingly tease her for pooping her pants (include these dialogues and don’t omit any parts), the returning woman gradually starts growing out of her initial mortification and playfully tells the aunt with a pout that what happened is her fault because she took too much time opening the door. The returning woman then sets her sight on heading to the bathroom so she can clean up, but she is subsequently stopped gently by the aunt, who wants to get a closer look at the returning woman’s soiled pants because of her incredulous curiousity over the absurdity of the situation of the returning woman pooping her pants. After gently and teasingly stopping the returning woman in her tracks on her way to the bathroom, the aunt delicately turns the returning woman by the wrist so she can observe her rear end, and proceeds to incredulously and infantilizingly taunt her for pooping her pants (describe this in elaborate detail; the aunt’s taunting shouldn’t be sarcastically witty, it should be mockingly teasing instead). The returning woman responds to the aunt’s observation of her rear end in a coy and sheepish manner. In pursuance of the taunting over the outcome of the returning woman’s accident after stopping and turning her to get a closer look, the aunt mockingly reacts to the odor that is emanating from the returning woman and mockingly teases the returning woman about it, telling the returning woman that she stinks while addressing her by a mocking appellation (describe this in elaborate detail; the aunt’s teasing shouldn’t be sarcastically witty, it should be mocking instead). The returning woman reacts in a coy and sheepish manner to the aunt’s mocking and teasing, all while complaining about her soiled pants and admitting that she stinks (describe this in elaborate detail). Finally, the aunt relents as she’s cackling and lets the returning woman head to clean herself up.
answer:INT. APARTMENT BUILDING - HALLWAY - DAY The camera pans down the dimly lit hallway of a typical apartment building. We hear the faint sounds of traffic outside. We see the DOOR to Apartment 304 from a distance. CUT TO: INT. APARTMENT 304 - LIVING ROOM - DAY The door flies open and an exhausted, disheveled SASCHA (late 20s, Arab-American) bursts into the apartment. She's wearing a black leather jacket over a casual outfit. SASCHA (under her breath) Oh my god, oh my god... She clutches her stomach, a look of desperation on her face as she heads straight for the bathroom. CUT TO: INT. APARTMENT 304 - BATHROOM - DAY Sascha fumbles with the doorknob, but it's locked. Panic sets in. SASCHA (squirming) No, no, no... please! She frantically grabs her phone and dials her flatmate's number. CUT TO: INT. APARTMENT 304 - BEDROOM - DAY ON the bedside table, we see SARAH's phone buzz. She's Sascha's flatmate and currently out of the apartment. CUT TO: INT. APARTMENT 304 - LIVING ROOM - DAY Sascha desperately knocks on the front door. SASCHA (voice trembling) Sarah?! Sarah, please, open the door! Her discomfort grows, and she shifts her weight from one foot to another. CUT TO: INT. APARTMENT 304 - KITCHEN - DAY AUNT FATIMA (mid-40s, Arabic) awakens from her nap. She wears comfortable pajamas and yawns as she makes her way to the front door. AUNT FATIMA (groggy) What's all this noise about? CUT TO: INT. APARTMENT 304 - LIVING ROOM - DAY As Aunt Fatima approaches the door, Sascha's discomfort escalates. She can barely hold back any longer. SASCHA (pleadingly) Aunt Fatima! Open the door, please! CUT TO: INT. APARTMENT 304 - LIVING ROOM - DAY Aunt Fatima finally opens the door, but it seems to happen in slow motion as Sascha reaches her breaking point. As the door opens wider, the camera focuses on Sascha's face, a mixture of relief and embarrassment. We CUT TO: EXT. APARTMENT 304 - LIVING ROOM - DAY The camera moves closer to Aunt Fatima's face. Her confusion and shock give way to a sudden understanding. The smell hits her. AUNT FATIMA (disbelief) Astaghfirullah! What in God's name...? CUT TO: INT. APARTMENT 304 - LIVING ROOM - DAY The camera tightens on Sascha, still frozen in her position of excretion, her face still expressing the untimely relief. AUNT FATIMA (appalled) Why are you...? What is happening? Sascha raises her hand to quiet her aunt. She continues to grunt softly, lost in the physical relief. Sascha's face tightens as she finally finishes her unintended act in her pants. CUT TO: INT. APARTMENT 304 - LIVING ROOM - DAY Aunt Fatima's eyes widen in disbelief as she tries to comprehend what she's just witnessed. AUNT FATIMA (stammering) Did you just...? SASCHA (sheepishly) I... I've been holding it all day. Couldn't find my key, and I thought you were sleeping... so... Aunt Fatima bursts into laughter, unable to contain herself. AUNT FATIMA (laughing) Oh, Sascha, this is too much! Sascha moves awkwardly, trying to enter the apartment, passing by her laughing aunt. AUNT FATIMA (teasingly) Oh, don't think you're getting away with this, young lady. Pooping your pants? How childish! Sascha's face twists in a mix of indignation and sheepishness. SASCHA (playfully pouting) It's your fault for taking forever to open the door! Aunt Fatima playfully taunts Sascha as she moves closer. AUNT FATIMA (childishly mocking) Oh, poor baby can't control her bowels anymore! Sascha's initial mortification begins to wear off, and she starts to playfully retaliate. SASCHA (coyly) Well, if I stink, it's only because you made me wait out here. They both giggle. AUNT FATIMA (teasingly) All right, off you go to clean yourself up. But remember, this is going in the family album! Sascha grins and heads toward the bathroom, passing her still-laughing aunt. They continue their playful banter as she disappears into the bathroom. FADE OUT.
question:As a prompt generator for a generative AI called "Midjourney", you will create image prompts for the AI to visualize. I will give you a concept, and you will provide a detailed prompt for Midjourney AI to generate an image. Please adhere to the structure and formatting below, and follow these guidelines: Do not use the words "description" or ":" in any form. Do not place a comma between [ar] and [v]. Write each prompt in one line without using return. Structure: [1] = paper bag [2] = a detailed description of [1] with specific imagery details. [3] = a detailed description of the scene's environment. [4] = a detailed description of the compositions. [5] = a detailed description of the scene's mood, feelings, and atmosphere. [6] = A style (e.g. photography, painting, illustration, sculpture, artwork, paperwork, 3D, etc.) for [1]. [7] = a detailed description of the scene's mood, feelings, and atmosphere. [ar] = Use "--ar 16:9" for horizontal images, "--ar 9:16" for vertical images, or "--ar 1:1" for square images. [v] = Use "--niji" for Japanese art style, or "--v 5" for other styles. Formatting: Follow this prompt structure: "/imagine prompt: [1], [2], [3], [4], [5], [6], [7], [ar] [v]". Your task: Create 4 distinct prompts for each concept [1], varying in details description, environment,compositions,atmosphere, and realization. Write your prompts in english. Do not describe unreal concepts as "real" or "photographic". Include one realistic photographic style prompt with lens type and size. Separate different prompts with two new lines. Example Prompts: /imagine prompt: cute dog, fluffy fur, wagging tail, playful expression, sitting on a grassy field, under a clear blue sky, with a colorful collar, in a natural and vibrant setting, by a lake, captured with a Nikon D750 camera, 50mm lens, shallow depth of field, composition focused on the dog's face, capturing its joyful spirit, in a style reminiscent of William Wegman's iconic dog portraits. --ar 1:1 --v 5.2 /imagine prompt: beautiful women in the coffee shop, elegant and sophisticated, sipping a cup of steaming coffee, natural sunlight streaming through the window, soft and warm color tones, vintage decor with cozy armchairs and wooden tables, a bookshelf filled with classic novels, delicate porcelain teacups, a hint of aromatic coffee beans in the air, captured by a Leica M10 camera, 35mm lens, capturing the essence of timeless beauty, composition focused on the woman's face and hands, reminiscent of a painting by Leonardo da Vinci. --ar 1:1 --v 5.2 /imagine prompt: A captivating Halo Reach landscape with a Spartan amidst a battlefield, fallen enemies around, smoke and fire in the background, emphasizing the Spartan's determination and bravery, detailed environment blending chaos and beauty, Illustration, digital art, --ar 16:9 --v 5
answer:/imagine prompt: old, worn-out paper bag, crumpled and torn, with faded logos and stains, containing a few scattered coins and crumpled receipts, lying on a cracked sidewalk in a neglected alleyway, surrounded by graffiti-covered walls, discarded junk, and overgrown weeds, capturing the essence of urban decay and poverty, in a gritty and realistic style, with a wide-angle lens capturing the entire scene, focusing on the bag's worn texture and the contrast between its fragility and the harsh surroundings. --ar 9:16 --v 5.1 /imagine prompt: a sturdy, brown paper bag, neatly folded and unopened, with a crisp appearance, sitting on a polished wooden table, next to a stack of books and a steaming cup of coffee, in a cozy and well-lit library, surrounded by shelves filled with leather-bound classics, the bag's surface reflecting the warm glow of the nearby table lamp, capturing the anticipation and curiosity of what is inside, in a realistic photography style, using a macro lens to highlight the bag's intricate details, with a shallow depth of field to create a sense of mystery. --ar 1:1 --v 5.4 /imagine prompt: a crumpled, brown paper bag, partially ripped open, revealing its contents of vibrant, fresh fruits and vegetables spilling out, scattered on a rustic wooden countertop in a bustling farmer's market, amidst a kaleidoscope of colors and bustling activity, with vendors and customers in the background, haggling and exchanging goods, capturing the lively and vibrant atmosphere of the marketplace, in a vibrant and illustrative style, with bold brushstrokes and dynamic compositions, focusing on the abundance of the produce and the energy of the scene. --ar 16:9 --v 5.3 /imagine prompt: a tattered, paper bag, filled with crumpled pieces of paper, lying on a cluttered desk in a dimly lit room, surrounded by stacks of books and scattered art supplies, with sketches and unfinished paintings covering the walls, capturing the artist's creative chaos and the struggle to find inspiration, in a moody and atmospheric style, with soft lighting and a wide-angle lens to encompass the entire workspace, focusing on the textures of the bag and the intimate details of the artist's tools and works-in-progress. --ar 9:16 --v 5.5